HAL publications



910 documents

  • Chiara Salari. “For the benefit and enjoyment of the people”. Transatlantica. Revue d'études américaines/American Studies Journal, 2017. ⟨hal-01694113⟩
  • Chiara Salari. Western stories. Transatlantica. Revue d'études américaines/American Studies Journal, 2017, 1 | 2016. ⟨hal-01555701⟩
  • Will Slauter. Copyright Law and Registration Practice: The Case of News, 1870-1918. Works in Progress Intellectual Property, Boston University Law School, Feb 2017, Boston, United States. ⟨hal-01494939⟩
  • François Brunet. La photographie histoire et contre-histoire. Presses Universitaires de France, 2017, La photographie histoire et contre-histoire, hors collection, 978-2130654322. ⟨hal-01543533⟩
  • Martine Beugnet. L'attrait du flou + On the History and Aesthetics of Blur in Film. Yellow Now. , 2017, L'attrait du flou, Dominique Païni, 9782873404086. ⟨hal-02301131⟩
  • Catherine Bernard. « La vielle dame et la preneuse de son : (micro)-utopies d’un art de l’ordinaire ». Revue Polysèmes. Numéro "L’art intempestif—La démesure du temps (Untimely Art—Time’s Excesses)", 2017, 17. ⟨hal-02459531⟩
  • Catherine Bernard. “Christopher Nolan’s Inception: Spectacular Speculations”. Screen, 2017, 58 (2). ⟨hal-02459519⟩
  • Emilia Le Seven. Wayne Franklin. James Fenimore Cooper: The Later Years. [Recension]. Transatlantica. Revue d'études américaines/American Studies Journal, 2017. ⟨hal-02904422⟩
  • Paul Edwards. Photographier les sculptures d'Hélène Garache. Conférence, 2017, 43, pp.257-295. ⟨hal-01504250⟩
  • Jennifer Kilgore-Caradec. Forms in Broken Hierarchies: Poems 1952-2012. Stand , 2017, Geoffrey Hill Special Issue, 15 (2) (214). ⟨hal-01862149⟩