HAL publications

996 documents

Ariane Hudelet. Choosing Music as Texture: Treme as an Experimental TV Series. HBO's Treme and Post-Katrina Catharsis, Lexington Books, 2017. ⟨hal-01516829⟩
Catherine Bernard. « Âmes sensibles s’abstenir : violence à / de l’art contemporain. À propos de Gillian Wearing, Damien Hirst, les frères Chapman & co. ». Sillages Critiques, 2017, « Écriture de la violence », 22. ⟨hal-02459539⟩
Catherine Bernard. “Modernity’s Sylvan Subjectivity, from Gainsborough to Gallaccio”. Julian Wolfreys (ed.). New Critical Thinking. Criticism to Come, Edinburgh University Press, pp.36-49, 2017. ⟨hal-02459598⟩
Anouk Guiné, Sandeep Bakshi. Colonialité, genre et multiculturalisme. Europe et Amériques. EOLLES, 8, 2017. ⟨hal-02275748⟩
Ladan Niayesh. From Elders to Medlars in the Forest of Arden. Sophie Chiari, Sophie Lemercier-Goddard, Michèle Vignaux. New Perspectives on Shakespeare's As You Like It, Presses Universitaires Blaise Pascal, 2017, 978-2845167568. ⟨hal-04009897⟩
Ariane Fennetaux. « L’Empire des sens: sensibilités, significations et circulations de la nouvelle culture matérielle ». L'Empire, Société XVII-XVIII, Jan 2017, Paris, France. ⟨hal-04006237⟩
Cécile Roudeau. "Like Islands in the Sea’: Intermingled Consciousness and the Politics of the Self in Sarah Orne Jewett’s Late Stories". William James Studies, 2017, 13 (2), pp.190-216. ⟨hal-03247598⟩
Stéphanie Prevost, Benedicte Deschamps. "Language Matters Exhibition". 2017. ⟨hal-03993001⟩
Catherine Bernard. “In the Eye of War: Confronting the First World War in Contemporary British Fiction”. Op.Cit.: A Journal of Anglo-American Studies, 2017, 2 (6). ⟨hal-02459559⟩
Martine Beugnet, Allan Cameron, Arild Fetveit (Dir.). Indefinite Visions: Cinema and the Attractions of Uncertainty. 2017. ⟨hal-03952520⟩