Publications HAL



894 documents

  • Paul Edwards. Photographier les sculptures d'Hélène Garache. Conférence, 2017, 43, pp.257-295. ⟨hal-01504250⟩
  • Catherine Bernard. “Christopher Nolan’s Inception: Spectacular Speculations”. Screen, 2017, 58 (2). ⟨hal-02459519⟩
  • Catherine Bernard. « La vielle dame et la preneuse de son : (micro)-utopies d’un art de l’ordinaire ». Revue Polysèmes. Numéro "L’art intempestif—La démesure du temps (Untimely Art—Time’s Excesses)", 2017, 17. ⟨hal-02459531⟩
  • Emilia Le Seven. Wayne Franklin. James Fenimore Cooper: The Later Years. [Recension]. Transatlantica. Revue d'études américaines/American Studies Journal, 2017. ⟨hal-02904422⟩
  • Martine Beugnet. L'attrait du flou + On the History and Aesthetics of Blur in Film. Yellow Now. , 2017, L'attrait du flou, Dominique Païni, 9782873404086. ⟨hal-02301131⟩
  • Jennifer Kilgore-Caradec. Forms in Broken Hierarchies: Poems 1952-2012. Stand , 2017, Geoffrey Hill Special Issue, 15 (2) (214). ⟨hal-01862149⟩
  • Jennifer Kilgore-Caradec. Sir Geoffrey Hill was mourning for Europe, Is Europe mourning Geoffrey Hill?. Eborakon, 2017, European poetry, Special issue. ⟨hal-01860919⟩
  • Catherine Bernard. “And Yet: Figuring Global Trauma in Ruth Ozeki’s A Tale for the Time Being”. Susana Onega and Jean-Michel Ganteau (eds.). Victimhood and Vulnerability in 21st Century Fiction, Routledge, pp.21-34, 2017. ⟨hal-02459589⟩
  • Ladan Niayesh. From Travel Guide to Self-Discovery in Andrew Boorde’s Fyrst Boke of the Introduction of Knowledge (1547). Etudes Anglaises, 2017, 2, pp.138-146. ⟨hal-04009950⟩
  • Lynn Meskill. —“ ‘Tossing on the ocean’: Fortune in The Merchant of Venice”. Séminaire LILA : La valeur et les signes : littérature et économie, Agnès Derail, ENS, rue d’Ulm (Paris, France)., 2017, Paris, France. ⟨hal-04002491⟩