Publications HAL



894 documents

  • Jennifer Kilgore-Caradec. Coteries anglophones? L'avant-garde, les modernistes et la modernité de charles Péguy autour de 1917. L'Amitié Charles Péguy [Bulletin d'informations et de recherches], 2017, pp.135-147. ⟨hal-01861783⟩
  • Catherine Bernard. “In the Eye of War: Confronting the First World War in Contemporary British Fiction”. Op.Cit.: A Journal of Anglo-American Studies, 2017, 2 (6). ⟨hal-02459559⟩
  • Stéphanie Prevost, Benedicte Deschamps. "Language Matters Exhibition". 2017. ⟨hal-03993001⟩
  • Martine Beugnet, Allan Cameron, Arild Fetveit (Dir.). Indefinite Visions: Cinema and the Attractions of Uncertainty. 2017. ⟨hal-03952520⟩
  • Paul Edwards. Photographier les sculptures d'Hélène Garache. Conférence, 2017, 43, pp.257-295. ⟨hal-01504250⟩
  • Catherine Bernard. « La vielle dame et la preneuse de son : (micro)-utopies d’un art de l’ordinaire ». Revue Polysèmes. Numéro "L’art intempestif—La démesure du temps (Untimely Art—Time’s Excesses)", 2017, 17. ⟨hal-02459531⟩
  • Emilia Le Seven. Wayne Franklin. James Fenimore Cooper: The Later Years. [Recension]. Transatlantica. Revue d'études américaines/American Studies Journal, 2017. ⟨hal-02904422⟩
  • Martine Beugnet. L'attrait du flou + On the History and Aesthetics of Blur in Film. Yellow Now. , 2017, L'attrait du flou, Dominique Païni, 9782873404086. ⟨hal-02301131⟩
  • Catherine Bernard. “Christopher Nolan’s Inception: Spectacular Speculations”. Screen, 2017, 58 (2). ⟨hal-02459519⟩
  • Martine Beugnet. Gulliver Goes to the Movies: Screen Size, Scale, and Experiential Impact – A Dialogue. Screens, Amsterdam University Press, pp.247-257, 2016, ⟨10.1515/9789048531691-021⟩. ⟨hal-02919637⟩