Publications HAL



909 documents

  • Catherine Bernard. “Modernity’s Sylvan Subjectivity, from Gainsborough to Gallaccio”. Julian Wolfreys (ed.). New Critical Thinking. Criticism to Come, Edinburgh University Press, pp.36-49, 2017. ⟨hal-02459598⟩
  • Catherine Bernard. “Rethinking Originality / Making Us See: Contemporary Art’s Strategic Transpositions”. Sonya Stephens (ed.). Translation and the Arts in Modern France, University of Indiana Press, pp.237-247, 2017. ⟨hal-02459603⟩
  • Ariane Hudelet. Choosing Music as Texture: Treme as an Experimental TV Series. HBO's Treme and Post-Katrina Catharsis, Lexington Books, 2017. ⟨hal-01516829⟩
  • Jennifer Kilgore-Caradec. Coteries anglophones? L'avant-garde, les modernistes et la modernité de charles Péguy autour de 1917. L'Amitié Charles Péguy [Bulletin d'informations et de recherches], 2017, pp.135-147. ⟨hal-01861783⟩
  • Martine Beugnet, Allan Cameron, Arild Fetveit (Dir.). Indefinite Visions: Cinema and the Attractions of Uncertainty. 2017. ⟨hal-03952520⟩
  • Stéphanie Prevost, Benedicte Deschamps. "Language Matters Exhibition". 2017. ⟨hal-03993001⟩
  • Catherine Bernard. “In the Eye of War: Confronting the First World War in Contemporary British Fiction”. Op.Cit.: A Journal of Anglo-American Studies, 2017, 2 (6). ⟨hal-02459559⟩
  • Emilia Le Seven. Wayne Franklin. James Fenimore Cooper: The Later Years. [Recension]. Transatlantica. Revue d'études américaines/American Studies Journal, 2017. ⟨hal-02904422⟩
  • Martine Beugnet. L'attrait du flou + On the History and Aesthetics of Blur in Film. Yellow Now. , 2017, L'attrait du flou, Dominique Païni, 9782873404086. ⟨hal-02301131⟩
  • Catherine Bernard. “Christopher Nolan’s Inception: Spectacular Speculations”. Screen, 2017, 58 (2). ⟨hal-02459519⟩